The 'Transformers 4' posters have been out in full force, providing us with closer looks at the human cast -- made up of Mark Wahlberg, Nicola Peltz and Jack Reynor -- and the newly redesigned Optimus Prime. But those folks take a backseat as the latest one-sheet for 'Age of Extinction' points to the arrival of the Decepticons.
While Disney's Animation Studios and Pixar, as well as DreamWorks Animation, continue bulking up their offerings for the coming months (and years), so too are Sony Pictures Animation. Their latest, 'Cloudy With a Chance of Meatballs 2,' landed in the the top box-office spot opening weekend, but there's plenty more on the horizon for the studio, like 'Hotel Transylvania 2,' an all-animated 'Smurfs' movie and the tentatively titled 'Genndy Tartakovsky’s Can You Imagine?'
It's a tale as old as time, that Hollywood studios release full glamor shots of their suited superheroes just before set photos leak the look in a much less flattering light. So too is it with The CW's 'Arrow' spinoff 'The Flash,' which yesterday gave us a supercharged look at the Scarlet Speedster, before much more detailed photos of Grant Gustin's costume in broad daylight have emerged from the Vancouver set!
Luke Bryan’s sixth spring break EP isn’t so much a party album as it is a project for short-term lovers. Bryan explores the romantic side of spring break during ‘Like We Ain’t Ever.’ In many ways it’s an extension of the songs on ‘Crash My Party.’
Jake Gyllenhaal and director Denis Villeneuve have recently set about turning their blossoming cinematic partnership into the kind of professional pairing that cranks out clever, creepy feature films that stick with their audiences long after they end. In short, these two like to make skin-crawling films that freak people out, and it turns out they’re pretty good at it.
Villeneuve and Gyllenhaal premiered both of their collaborations last year at the Toronto International Film Festival, though their bigger-budget (and bigger-named) ‘Prisoners’ hit theaters while the intriguing ‘Enemy’ bided its time before a more low-key release. While ‘Prisoners’ presented a terrifying premise that was still relatable – a pair of suburban couples are heartbroken when their young daughters go missing, and the fallout is very unexpected – ‘Enemy’ goes full throttle on a plot line that’s both bizarre and purposely hard to swallow.
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