snl

This season of SNL has had some definite highs and definite lows (I’ve been seriously questioning the writers’ ability to deliver great material for the female hosts), and the last few episodes have only been consistent in their clumsiness. What began as a strong season has faltered in the final lap, but the promise of Louis C.K. hosting the Season 40 finale inspired some optimism thanks to both his comedic talents and his track record with SNL. Sadly, this week’s outing proved to be as so-so as the last few episodes, resulting in a finale that’s merely half-decent.

Reese Witherspoon has had an interesting time lately: the producer of Gone Girl, nominated for an Oscar for her performance in Wild, and the recent star of the not-so-funny Hot Pursuit. But Witherspoon is funny — she’s also immensely charming and versatile (obviously), and she knows how to light up a room. Unfortunately, she’s not really the star of this week’s SNL, suffering from the same fate that befell Scarlett Johansson in last week’s underwhelming episode. Throughout the bulk of the episode, Witherspoon is more like a supporting player than the star, and I’m growing concerned about how terrible these female-hosted episodes have been lately and what that says about SNL in general.

Last night’s generally unremarkable episode of SNL peaked early when it took advantage of its proximity to Mother’s Day to do something kind of remarkable. As part of her opening monologue, guest host Reese Witherspoon declared that the show was going to mark the occasion by bringing each cast member out with his or her mother...and then forcing them to apologize for their childhood transgressions.

It’s not coincidence that Scarlett Johansson guest hosted SNL on the same weekend that Avengers: Age of Ultron opened in theaters, so of course the show had to do a Marvel sketch of some kind. And unlike the previous Avengers sketches cooked up for Chris Hemsworth and Jeremy Renner, this one is actually a pretty effective dig at the Marvel movie machine. More importantly, it’s very funny.

When the SNL writers decided to craft a sketch mocking the boxing match between Floyd Mayweather and Manny Pacquiao, they had no idea that the “fight of the century” would turn out to be a huge bust that would leave sports fans enraged. This adds a level of meta-humor to an already funny sketch. In many ways, SNL’s very silly take on this fight is significantly more interesting than the real thing.

Taraji P. Henson is only the eighth black woman to host SNL in 40 years, which is only half the reason why her appearance on the show is awesome — in addition to her killer role as Cookie on Empire, Henson is a versatile actress who’s been impressing us for some time now. That versatility certainly came in handy as this week’s guest host, although the writers never really figured out how to use Henson’s strengths. Read on as we rank this week’s SNL sketches from great to not-so-great.

Vanessa Bayer’s Jacob the Bar Mitzvah Boy has been a regular character on SNL’s Weekend Update for quite some time now, so it was about time for us meet the family of everyone’s favorite awkward, overly prepared Jewish kid. Coinciding with the end of Passover, the show brought the great Billy Crystal onto the show as Jacob’s equally awkward father.

At some point in the SNL writer’s room, everyone must have realized that guest host Taraji P. Henson plays a monstrous character named Cookie on the smash hit Empire and, a few Cookie Monster jokes later, they were scrambling to call the producers of Sesame Street. Yes, SNL put Henson’s Cookie on the world’s most famous children’s program and the results are kind of spectacular.

SNL is always so good at creating eerily realistic fake advertisements for products that will never, ever exist unless humanity truly goes insane, and the show’s Depend Legends sketch is no exception. There is no way anyone is every going to want to own adult diapers that have images of famous figures from history and popular culture printed on them, but this ad makes that reality feel a little too real.

In the cutthroat world of HBO’s Game of Thrones, life is hard and even the most innocent people find themselves victimized by the powers that be. So of course SNL would make the comparison between living in Westeros and living on the means streets of Los Angeles. Yes, it’s time to visit the eighth kingdom of this wildly popular fantasy series: South Centros.

Coming off the major acclaim (and major awards buzz) for Birdman, Michael Keaton returns to host SNL for the third time in his long and varied career. Keaton possesses a great deal of comedic sensibility, and his hosting gig this weekend almost seems a bit tardy, given his recent career resurgence. Better late than never. How did Keaton fare back on the SNL stage? Read on for your weekly sketch rankings!

Mike O’Brien is one of SNL’s greatest secret weapons, a writer and performer whose truly unique voice shines through the show’s usual template. When he’s given total control of a digital short, it’s a genuine cause for celebration. His work feels less like just another sketch or parody, but more like an actual, full-fledged short film escaped into the show’s line-up.